Grave Mercy

Posted on July 25, 2012 by Katy K.

Grave MercyGrave Mercy, His Fair Assassin Book 1 by Robin LaFevers. The setting is 15th century Brittany. Ismae is a peasant’s daughter with an abusive father. When the man he marries her off to turns out to be abusive as well, she runs away and is taken in by the convent of St. Mortain. St. Mortain is the local patron saint and former god of Death. His daughters, feared by the populace, join the convent, where they are trained as sacred assassins. The Sisters only slay those who bear the magical Marque of St. Mortain, visible only to them. Ismae finds her first real home here, and makes friends with a girl her own age, Annith, as well as another new if somewhat crazed girl Sybella, who rather soon goes missing. She finds that being the daughter of Death makes her immune to poisons, so she works with one of the older sisters distilling poisons. However, in a few years (neatly skipped over), Ismae is sent on her first real mission. At this time, Brittany is not yet part of France and is ruled by a young teenaged Duchess, Anne. She is surrounded by advisors of dubious loyalty, formally engaged to about six different men. Obviously considered weak due to her age and sex, the Duchess is also the richest woman in Europe. The Abbess and a trusted royal advisor, Crunard, send Ismae off with Duchess Anne’s bastard half-brother, Duval, to find proof that he is a traitor and with whom he’s conspiring. It’s slightly problematic that the convent is sending a novice on what would seem to be an operation requiring one of their most experienced nuns. However, I was willing to sweep this under the rug in the interests of the story. Naturally, the politics turn out to be a good deal more complicated than Ismae had been given to believe. Duval seems not at all the traitor he’d been made out as. Instead, Ismae finds him nearly the only person undivided in his loyalty to the Duchess. But can she be sure of this, or is their growing attraction masking some deeper truth. Despite these doubts, Ismae start plotting with Duval and Duchess Anne to find out who the real traitor is and how to stabilize Brittany without either giving in to France’s demands to annex Brittany or marrying Anne off to someone loathsome. Ismae will have to look beyond the convent’s formal rules and trust herself to be able to see the will of Mortain himself if they are to succeed.

The book has a whole lot of things going for it. Ismae starts off and remains an appealing smart-mouthed character, while growing convincingly in skill and self-esteem over the course of the book. Anne, I was interested to note, was a real character and did indeed have all the fiancés mentioned in the book. It turns out she was married to two separate men at the same time, in politically necessary marriages. If only she’d had a personal saint-backed assassin in real life! There’s some difficult feminist thinking here. The convent, in historically accurate manner, is a place for women to go to escape the overwhelming control of women by men. The difficulty comes when Ismae realizes that she’s attracted to men. Is she losing sight of the goal of feminine self-determination by falling in love, as a New York Times columnist thought? Or is seeking the rare man who will view her as an equal acceptable? It is, as my friend garrity pointed out to me, the perennial feminist dilemma, and probably wouldn’t seem like any kind of betrayal of feminist values had the story not started out with Ismae being saved by the convent. The book seems quite historically accurate, given the fantasy elements. The cover, not quite so much. There she is, long, loose hair blowing around. It’s a pet peeve of mine: no self-respecting woman from the medieval era on until the 1960s would be seen outdoors without some sort of head covering. And yet, would we grasp Ismae’s fierce, wild nature without that symbolic rebellious hair? In any case, there’s both thoughtfulness and humor combined with lots of action, a fleshed-out world and good characters – what’s not to like?

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Charlotte Jane Battles Bedtime

Posted on July 23, 2012 by Katy K.

Charlotte Jane Battles BedtimeCharlotte Jane Battles Bedtime by Myra Wolfe. Illustrated by Maria Monescillo.

Charlotte Jane is the daughter of two pirates, who have built a beautiful ship-shaped house in the suburbs. They use endearments like “doubloon” and “pomegranate”, managing to seem both devoted parents and still-fierce pirates. Charlotte Jane grows up wanting the very best of life, and at one point decides that “Bedtime [is] not juicy.” She stays up later and later, until one night, she manages to stay awake until sunrise. Victory turns out to be less sweet than she’d expected as she says, “Arr. My oomph’s weighed anchor!” Then follows a hunt, aided by her parents, for Charlotte Jane’s missing oomph. The illustrations are charmingly bright and stripy watercolor and ink drawings. It’s a bedtime book with a fun pirate twist that’s great for older toddlers and preschoolers. My own toddler did not, alas, decide to learn a lesson from the book, but she did enjoy reading it multiple times.

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The Mutu System

Posted on July 18, 2012 by Katy K.

Mutu SystemThe Mutu System by Wendy Powell.

This is not technically a book, but an on-line exercise and eating program designed for mothers. I found it after looking for a program that would combine the short intense workouts from The Women’s Health Big Book of 15-Minute Workouts with the diastasis protection and healing found in Lose Your Mummy Tummy. You pay your fee, and get a 100-page pdf right away, a new video link each week for 12 weeks, and email and phone or Skype support from Powell as needed. The exercise components include four levels of 5-minute core workouts designed to strengthen and heal a diastasis to be done daily; three different 20-minute intensive routines for aerobic and strength training, to be done five times per week; and two different yogic healing breath routines to be done once a week. There’s also a posture section and a diet portion, because as Powell often says in the booklet and the videos, if your abs are covered by a layer of fat, you won’t be able to see how toned they are. Full details of the program and my results included.
Continue reading →

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Parents Need to Eat Too

Posted on July 13, 2012 by Katy K.

I’m just now catching up from last week… one day of holiday, one day of volunteering at Kids Read Comics (where I fell madly in love in a non-creepy-stalkerish way with Raina Telgemeier.) I’ll try to post more on that later, but in the meantime, catching up with some backlog…

Parents Need to Eat TooParents Need to Eat Too by Debbie Koenig “I feed my baby all right, but then it’s too much work to fix something for me, so I just eat toast or whatever is left over.” I’ve heard these kinds of comments distressingly often. It’s especially tough during the first months of parenthood, when this cooking around a baby thing is still so new and the baby is so demanding. Koenig’s book attempts to address this problem, with chapters of recipes designed to fill a multitude of specific post-baby cooking needs. Chapters include such themes as cooking from pantry staples if you can’t get out of the house, crock pot recipes, dishes to be eaten with one hand when you can’t put the baby down, nap-time cooking, fast recipes, big batch cooking, really simple recipes for non-cooking types, milk-boosting recipes, and nutritious snacks and desserts. Despite a preface with standard processed baby food feeding advice, all of the recipes happily assume that you’ll be feeding your baby real food and include comments on how suitable it is for babies of different stages. The chapter on nap-friendly cooking wasn’t quite what I was hoping for – more a way to split up cooking really complicated dishes into three parts to make them manageable with kids, rather than the “get it all prepped in one nap” that I was hoping for. I found recipes that I’d try in every other section, though, and especially liked the one-handed eating recipes, all individual portions wrapped in various types of starch holders, to make ahead for camping. (Can they be reheated without an oven, I wonder?) My husband, the major cook in our family, reads Cook’s Illustrated for pleasure and said that he found the recipes a little more simplified than he prefers. Despite that, he won’t let me take it back to the library and keeps cooking out of it. We’ve had a cauliflower curry, a tomato-mozzarella pasta salad, and the chocolate pudding, and contemplated many more. Really, the simplified recipes are the point. You can turn to any number of cookbooks or magazines for complicated recipe instructions; there are not so many that grasp the utter desperation that occurs when a new baby comes and throws a household into chaos. The recipes are straightforward, using mostly simple ingredients. Many of them are vegetarian or have alternate veggie/omnivore options. Koenig is a Weight Watchers devotee, and therefore many of her recipes are low fat. This was a little odd for me, as I think that nursing mothers need good-quality fat and plenty of it – but this is often easily fixed by just using regular fat versions where low fat is called for. I’ll note that I’m a fan of books for the completeness and portability and easy sharing aspects… but many of her recipes are also on her blog, linked above. Though it’s geared towards new parents, whether or not you are one yourself, if you’re in need of help getting real food on the table on a regular basis or want ideas for food to bring over to friends in need, this is an excellent choice.

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The Name of This Book Is Secret

Posted on July 3, 2012 by Katy K.

The Name of This Book Is SecretThe Name of This Book Is Secret by Pseudonymous Bosch. Read by David Pittu.
This is first in a series of five books all named to discourage the reader from opening up the book. It’s a fun concept, and I’d been meaning to get around to them for a while. Pseudonymous Bosch is a very prominent narrator throughout the story, and he (or she!) spends a great deal of time at the beginning explaining that the setting of the book and the names of the characters are all meant to be non-specific, to protect the people involved, and most importantly, to protect us, the reader, from the horrors that might befall us if anyone found out that we know the secrets. Then we get on with the story, which is adventure, mystery and a little fantasy. Our heroes are Cass and Max-Ernest, both of whom have trouble fitting in at school. Cass lives with her overprotective mother and spends a lot of time with two older men she calls her grandfathers, who run an antique store in an old fire station. Max-Ernest lives with his parents, who are divorced but live in separate half of the same house, refusing to acknowledge each other’s existence. The adventure begins when a real estate agent brings a pile of boxes from an estate house in to the antique store. In one box, Cass finds a fascinating box called the Symphony of Smells, which contains hundreds of tiny bottles of different scents. She learns that a fire burned only the kitchen, and, it is presumed, the owner of the house, an old magician. Cass and Max-Ernest go to explore the house and find a secret room. They barely escape with the magician’s old journal just as a creepy-looking couple, including a woman whose beauty and stiffness are both unnatural. When the same couple – Dr. L and Ms. Mauvais – turns up at their school the next day and a boy with synesthesia from the school goes missing at the same time, Cass is highly suspicious. Unfortunately, she’s of such an openly suspicious nature that now, when it really matters, no one will believe her. She goes off, followed by Max-Ernest, to solve the mysteries: what happened to the old magician? Why have series of talented children with synesthesia gone missing over the years? Why does the spa known as the Midnight Sun keep itself so very secret? Doom is predicted at every turn, but with somewhat less depressing results than another popular series with a prominent narrator. As in The Calder Game, there are a number of puzzles for Cass and Max-Ernest to solve, which the interested reader can solve along with them. There’s just a hint of magic as Dr. L and Ms. Mauvais are (shh!) searching for the secret of immortality. There’s even some character development, which one doesn’t necessarily expect in an adventure/mystery type book. The boy and I listened to this, narrated by David Pittu. He quite enjoyed it; I liked it fine, if it didn’t particularly grab me. That may be me just being jaded about danger levels, finding the dangers in the book not nearly as dire as the narrator foretold. So maybe better for kids than adults, but still a lot of fun.

Cross-posted to http://library-mama.dreamwidth.org and http://sapphireone.livejournal.com .

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The Wind in the Willows

Posted on June 29, 2012 by Katy K.

The Wind in the WillowsThe Wind in the Willows by Kenneth Graham. Read by Jim Weiss.
I have fond memories of my father reading this aloud to my siblings and me when we were children, but this was the first time I’d listened to it as a CD book, and my son’s first time ever. Ah, going back to old favorites! I remembered it having the fun animal adventures, with those great, memorable characters, and I remembered it having a summery feeling. Listening again, the characters still stand out as memorable. The book is mostly episodic, with stories about Mr. Mole meeting Mr. Rat, Mole disobeying Rat and going into the Wild Woods by himself on a winter’s evening. There are my father’s favorites, “Dulce Domum” about the Mole’s return to his own home after living with the Rat for some months, and entertaining the little mouse carolers there, and “The Piper at the Gates of Dawn”, where the Mole and the Rat have a magical encounter with the god Pan. They are really lovely. That transcendence is combined with a more slapstick humor in the stories of Mr. Toad’s reckless misadventures, and the stories are bound together with lyrical descriptions of the scenery with the turning of the seasons. While I found these descriptions beautiful, I worried that my blood and action loving son would find them slow, but he gave the book a thumbs up. Like The Lord of the Rings, The Wind in the Willows takes place in a homosocial world: there are no female main characters, and the only two incidental female characters occur in the same story of Mr. Toad escaping from jail. This, I think, dates the book more than any other aspect of it. I am willing to forgive Mr. Graham because that really was the world he lived in, where men and women just lived in highly separated spheres (and I am glad it’s not like that anymore!). I had mixed feelings about the narrator. He did very well with the numerous and lengthy narrative portions of the book. I liked all of his character voices except for Mole and Ratty, which was a bit awkward as they are the two main characters. He made the Mole sound lower class and the Rat sound more educated, which was a bit odd, and somehow his reading of both of these characters annoyed me just a little bit every time. I see that my library has the book in a downloadable audio format with a different narrator, and I’d be curious to try that version to see if I like the narrator better. Still, we very much enjoyed listening to this book. It’s definitely still worthy of the “Classic” title. Just in case there was any doubt.

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Chopsticks

Posted on June 27, 2012 by Katy K.

ChopsticksChopsticks by Jessica Anthony and Rodrigo Corral.
This is a story told mostly in pictures which is curiously shelved as a regular novel rather than a graphic novel. That’s maybe because it’s told in photographs rather than drawings, though drawings and paintings that the characters make also show up. There are also programs, instant message conversations, homemade mix albums, and Youtube links (which I didn’t have time to look at), with just a touch of actual spoken dialogue. (If you buy it as an iPad app instead of a print book, the links are live and let you click right through.) In that way, it’s slick and modern and cutting edge of fiction, kind of. The story, though, is a twist on the age-old story of lovers whose families don’t approve. Glory is a 16 year old piano prodigy, famous for improvising mixes of classical pieces and modern rock on the stage. She is known, puzzlingly, as the “Brecht of the Piano” and has her first world tour lined up. But somehow, despite her father’s strict practice schedule, she finds time to fall in love with the boy next door, a new immigrant from Argentina called Francisco at home and Frank for Anglos. He’s an aspiring artist, but failing at school, mostly because he doesn’t care enough about America to put in the effort. With Glory, though, he is all sweetness and consideration. Glory’s father, however, sees nothing but a bum and tries to sever contact between Glory and Frank. The separation leads to madness – the less contact Glory is allowed, the less she can think about anything else. This directly impacts her on the stage, as she starts playing nothing but variations on “Chopsticks”. The tour is cancelled; she is sent to the Golden Hands Rest Home for Young Prodigies. The book begins with the ending: Glory has gone missing from the home, and no one knows where she is. It looked to me like she found a way to rejoin Frank, now 18 and able to return to Argentina. However, the back cover implies ambiguity and a potentially untrustworthy narrator. I’m not sure if that’s the authors being hopeful or me not having the patience to figure out puzzles, reading as I do in my chronically sleep-deprived state. I’d be happy to hear thoughts from anyone else who’s read this; otherwise, it’s an interesting scrapbook-style book that lets the reader put the story together.

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Liar’s Moon

Posted on June 26, 2012 by Katy K.

Here is what is really bothering me about this book right now: the first in the series was on one of the library reading lists for teens. I was trying to help a teen boy who’d read many of the popular series. He said, looking at the cover, “Oh. It’s a girl book.” Like this one, it features a large, beautiful photo of a girl. I have to say, as a “girl”, I find the cover appealing. But I don’t think it is a “girl book”. Yes, Digger is a girl, and yes, there’s a wee bit of romance. But mostly, it’s politics, spying, assassinations and murders – stuff I think my young patron would really enjoy if only he could get past the cover. If you’ve read the book, what do you think? Thoughts on covers limiting the potential audience?

Liar's MoonLiar’s Moon by Elizabeth C. Bunce.

This is the sequel to Starcrossed, which I very much enjoyed last year. Our heroine, known variously as Celyn, Digger and Mouse, is back in the city, despite knowing that it’s really not a safe place for her to be. She’s out doing some perfectly straightforward thieving work one evening when she’s roughed up, arrested and thrown in the jail cell of Durrel Decath, the handsome noble who saved her life at the beginning of the first book. He’s in – but he claims unjustly – for the murder of his wife, the much older Talth Ceid, member of the powerful merchant family with mafia-like tendencies. This means that Digger can’t just try to get him out (as if that were simple); she also has to prove his innocence, or the Ceid family will be even worse for his health than the dank jail cell. The next morning, her bail is posted by her roommate, who was given the money and anonymous note telling him where she is. Her arrest, she learns, was a set-up by Durrel’s friend Raffin, recently and puzzingly a Greenman, or member of the Inquisition, solely to get Digger interested in proving Durrel’s innocence. In trying to solve the mystery, Digger uncovers a tangle of politics and mysterious people, including the beautiful Koya Ceid, the young and beautiful married daughter of the dead Talth. There are missing Sarists, the illegal magic users; the mystery of why Durrel’s father isn’t trying to help; unaccountable food shortages throughout the city; and rumors of the rebellion Digger was aiding in the first book advancing towards the city. Lots of politics, intrigue, danger, close escapes, Digger learning more about her own magic, and dramatic settings from the jail to high-class parties to the temple Digger’s thief god. Also just a hint of romance, as Digger might finally accept that the lover who was killed at the beginning of the first book a year ago is really not coming back. This really is perfect small-scale politics: the fate of the nation is really at stake, but there’s only a small handful of major players, mostly all known personally, turning the wheels for everyone else. There are only a couple of flat-out villains, including the dead Talth. Everyone else is a nicely real mixture of good and good motives gone bad. Everything fits together just so, and while Durrel may be saved by the end of the book, I was happy to read that it looks like there is more in store for Digger.

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Daughter of Smoke and Bone

Posted on June 25, 2012 by Katy K.

Daughter of Smoke and BoneDaughter of Smoke and Bone by Laini Taylor. Read by Khristine Hvam.

“Once upon a time, an angel fell in love with a demon. It did not end well.”
So begins this story, which has at its heart two relationships: one, between the angel and the demon, but more importantly, between a demon and his human-looking daughter. We first meet Karou, an art student in Prague, dealing with a broken heart and longing for revenge from the boy she’s recently and very deservedly dumped. Her classmates, including her best friend Susanna (I’m assuming it’s spelled that way, though pronounced “Zuzanna”), know to ask after her sketchbook each Monday. It’s filled with pictures of unbelievable creatures – beautiful Issa, with the head and upper torso of a woman and the lower half of a giant snake, tiny humming birds with moth wings, and great Brimstone, bigger than a man, with a man’s torso and the head and lower half of a great goat with curling horns. There are always stories to go along with the pictures – how a trader haggled too much over the teeth he was trying to sell Brimstone and nearly got himself strangled by the snake all visitor’s to Brimstone’s shop must wear around their necks, for example. Karou says that her stories are true, that her hair naturally grows out blue, with a quirk of expression that makes people believe that she isn’t telling the truth. Except she is. The creatures are Chimerae, and the only family Karou has ever known. She’s grown up in Brimstone’s shop, watching him make necklaces of teeth, being given wishes in various denominations, from the tiny scuppies that look like trading beads and grant correspondingly tiny wishes, to the larger lucknows that made her hair grow permanently blue and let her speak any number of languages fluently, to the great gavriels she’s never been trusted with which could give her the power of flight. Mostly now she lives in the human world, coming back to Brimstone’s shop – which has a magic door that can appear all over the world – only when he needs her to run errands for him, mostly buying teeth. Though Brimstone and Karou clearly love each other, it’s a very authoritarian relationship. Brimstone won’t answer any of Karou’s multitude of questions about where she came from and what his shop of teeth is for, but is openly critical of the casual things she spends her wishes on, and her relationship with her body, including the tattoos (but why then, she wonders, did he give her the giant eye tattoos on the palms of her hands?) and allowing “unnecessary penises” access. Still, all is hunky dory until one day in Morocco, when Karou is chased down and nearly killed by an angel with flaming eyes and sword, who’s also burned a black handprint on the door back to Brimstone’s shop. Soon Brimstone throws Karou out of his shop, but when she goes back, the door is completely burned. And meeting with the angel again, she finds that they are drawn to each other despite the bad start. Flashbacks tell us of the long-ago romance between the angel Akiva and his lover, the chimera Madrigal, whose unhappy fate has scarred him but which we learn of in detail only late in the story. The basic crime is clear: angels and chimerae have been at war for milennia, and woe to anyone who dares to fall in love with the enemy. Calling them angels and demons is deceptive, because the lines of actual good and evil aren’t clearly drawn and both sides are fighting for survival, justifiably convinced the other side would wipe them out if it could.

The big war would seem to be the major plot focus of the book, but it seemed to me tertiary in the book, behind Karou’s relationship with Brimstone, the developing romance, and the exploration of the worlds and magic/wish system. Karou’s art, her personality and friends, the scenes of Prague and Marakkesh are all vividly painted and real, while the war seemed meant to be a backdrop, and an unwelcome intrusion when it came to the surface of the story. I felt like this was essentially a character and relationship study, to which Taylor felt she needed to add an exciting plot. That being said, the overall storyline seemed Shakespearean in nature, with misunderstandings and secrets leading to tragedy. I was also frustrated by finding out at the end of the book that it’s the first book in the series, with major plot points from this book left unresolved. It’s also a fine audio production, with periodic theme music around major book sections adding to Hvam’s excellent reading.

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The Unseen Guest

Posted on June 23, 2012 by Katy K.

The Unseen GuestThe Unseen Guest. The Incorrigible Children of Ashton Place Book 3. by Maryrose Wood. Narrated by Katherine Kellgren.

Young governess Penelope and her charges, the three Incorrigible Children, have only recently returned to Ashton place after the visit to London chronicled in the second book of the series. Penelope still spends a great deal of time thinking about what happened there – the questions that Miss Mortimer, her former guardian, left unanswered, the real location and condition of her parents, and the budding relations with Simon Harley-Dickinson. Meanwhile, the children must be educated. As they are daring to look for bird species to add to the field guide they are making, they see an ostrich. The mystery is soon solved as Lord Ashton’s long-absent mother shows up with a prospective fiancé, Admiral Faucet. Admiral Faucet clearly wishes to marry Lady Ashton for her fortune, which he is planning to use as start-up capital for an ostrich racing business. Lord Ashton, on the other hand, thinks that an ostrich hunt in his very own forest would be simply capital. Rather more observant than the resident Ashtons, Admiral Faucet recruits the children to track down Bertha the ostrich, still lost in the forest, and bring her back to her POE or Permanent Ostrich Enclosure before Lord Ashton’s hunt can kill her. As the children are studying the poetry of Edgar Allan Poe, the POE leads to frequent confusion. The idea of an overnight trip to the forest is somewhat traumatic for Penelope, who must be talked out of packing the entire nursery. But in the forest, the children are in their element, easily able to track down Bertha and unmoved by little things like rain. Penelope even gets to visit the cave where they lived before they came to Ashton place – complete with trunks of blankets and pillows, art supplies, and sandwiches delivered every morning. The mystery deepens even as the caring if wild nature of the children is contrasted with the bloodthirsty and avaricious nature of the adults, who are all too willing to kill the innocent Bertha and to consider that the children might make better tracking animals than children. In an effort to stop the older Lady Ashton from marrying Admiral Faucet, Penelope comes up with the idea of a séance – but will the séance reveal even more than Penelope had bargained for? As the series goes on, some questions have been answered, some had answers alluded to, but as even more questions have come up, the mystery is far from solved. Meanwhile, the story continues to have captivating characters (even if many of them are perfectly, deliberately stock characters), an exciting storyline, and a great sense of humor. Also, new sayings from Agatha Swanburne, the founder of the Swanburne Academy for Poor Bright Females. This series continues to delight. Katherine Kellgren could make a shopping list fascinating, and with material like this to work with, the results are top notch. Even if Penelope is arguably the lead character, the wild children and the adventure are more than enough to keep my boy enthralled.

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