Handmade Garden Projects

Handmade Garden ProjectsHandmade Garden Projects by Lorene Edwards Forkner
Forkner, a former nursery owner and avid gardener, has filled up a book with garden projects for people with not much money and a little more time. The projects are divided by their ultimate purpose or location thusly: Ground Floor, Supporting Acts, Feature Attractions, Clever Containers, Finishing Touches and Organize and Store. There are lots of projects made out of repurposed hairpin wire fencing, including a sculptural trellis and chandelier with mason jars, another frequently used item. In general, the materials are intended to be commonly available, either recycled or new but repurposed. There are pictures and sometimes diagrams, lists of materials needed, and step by step instructions. Notably missing from all projects were time and cost estimates. Most projects looked to me like they were intended for people with minimal craft/building experience, but tools and definitely some strength for the wire bending and large container moving. I’d guess that most projects could be completed in an afternoon on the short side to a weekend on the long side – not huge time commitments in the grand scheme of things. The aesthetic seemed to me mostly modern rustic, with things like industrial woven steel for a trellis or an upturned industrial light fixture, big enough to use as a coffee table, used as an outdoor terrarium. The style was a little too modern for me personally, though I still liked many of the projects, including a fire pit made from a commercial wok or discarded kettle grill base or lid, the LED fireflies for garden lighting, the beaded mason jar hose guides, and the old birdbath planted with cascading flowers in watery colors. I’m feeling that I’m not quite as enthusiastic as this book deserves only because I am so very short on both time and sleep right now. However, better rested gardening friends thought this was a fabulous book, so I’m passing it on for those of you closer to their situation.

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Reduced Shakespeare

I recently engaged in some librarian geekiness by re-cataloging my library’s Shakespeare collection. No longer are the plays and anthologies and works about the author jumbled together, though plays sorted by some thoughtful pages by publisher. Now all of Shakespeare comes first, sorted by play title for individual works. I made up my very own Dewey number for the about-Shakespeare stuff, so it all goes after. (Dewey does have an official Shakespeare system, which is in itself about a page long and dreadfully complicated.) And while I was being pleased with myself, I found this book and decided to read it.

Reduced ShakespeareReduced Shakespeare by Reed Martin and Austin Tichenor.
I’ve had Shakespeare on my Official List of Favorite Authors for years now, and while realizing that this list is somewhat pretentious and outdated and might not fully reflect my current tastes, still…. I also realized that while I have a handful of Shakespeare plays that I love and have read and watched over and over again, there are many, many more that I haven’t read. And mostly I’m too tired these days to put out the effort that reading or watching Shakespeare demands. The Reduced Shakespeare Company to the rescue! Like their show (which I loved on DVD), this is short and funny, as well as alarmingly accurate. This book covers all the bases in just 244 pages – Shakespeare’s biography (what’s known and the vast amounts that aren’t), the plays, poetry, authorship controversy, industry and films. I was most interested in their analysis of the plays and film adaptations, but I learned a lot about the authorship controversies that I’ve always been too skeptical to pay attention to before. For each play they include the title, date published, class (history, tragedy, comedy), setting, source, best known for, major characters, plot, one-sentence plot encapsulations, moral, famous quotes, best & worst features, a rating in bard heads, an interesting fact, and an essay question. Here are a few even more abridged examples:
Cymbeline
Best known for: Not being very well known. Two bard heads.
Hamlet
One-sentence plot encapsulation: Hamlet avenges his father, and it only takes four hours. Best feature: In all likelihood, this is the best play ever written. Five bard heads.
Henry IV
Essay questions: Does the sequel Henry IV, Part 2 have more in common with Godfather II or Rocky II? Why?

Because they are comedians, all of the reviews are so funny that I found myself laughing out loud and reading bits out loud to whatever hapless colleagues happened to be in the break room with me while I was reading it. The reviews for the less popular plays are probably even funnier than the ones for the good ones. Still, the bard head ratings could come in handy if you were trying to decide whether or not it would be worth hiring a babysitter to go see whatever Shakespeare play happened to be coming by locally, or even actually reading through the text.

The reviews for the films also are very funny and include the bard head ratings as well as notes on how faithful to the play they are and whether or not they work as movies. They are organized by the original play, with straight-up adaptations (hint: the movie has the same name as the play) followed by films inspired by the play, like West Side Story and 10 Things I Hate About You, which they like better than any of the straight-up film adaptations of the Taming of the Shrew. Hilariously, they include the 2001 Charlie’s Angels as a Lear adaptation. There are also critiques and yet more funny making-of-the-film bits from classic and modern Shakespeare films. Now I need to check the book out again to make a list of all their favorites that I haven’t seen to add to my too-watch list. The biggest shortcoming with the book is its publication date – 2005 – which means they’ve not covered the many film adaptations and spin-offs that have come out since then. Update, please!

Dear readers, if you have favorite Shakespeare film adaptations, please let me know!

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The False Prince

The False PrinceThe False Prince by Jennifer A. Nielsen
High-spirited orphan Sage, always a troublemaker at his orphanage, is sold to the noble Lord Conner, who is buying up orphans the right age who resemble Prince Jaron. Prince Jaron was lost four years ago, and presumed to have been killed by the pirates who took the ship he was on. Lord Conner’s plan is to train all four boys to impersonate the prince, and thus prevent the civil war that would otherwise break out when it’s discovered that the king, queen, and crown prince have all been poisoned. There’s a lot at stake, as it’s clear from the get-go that the boys who don’t get chosen won’t have any future at all. While Sage refuses, somewhat inexplicably, to buckle down to his studies, the other boys are doing their level best, including studious and sycophantic Tobias and the less educated but tough and street-smart Roden. Sage is too smart to want to be a pretend prince, forever doing Lord Conner’s bidding, but he’s walking a tightrope between making it clear that he won’t give in to Conner’s demands while co-operating just enough not to get booted out altogether. All too often, his open defiance gets him hard knocks from Conner’s toughs. He’s got two weeks to learn enough to stay in the contest, figure out what Lord Conner’s real motives are (surely not as virtuous as he claims), and find a way to get out of the whole situation alive, preferably saving the lives of the other boys as well. Sage is cagey about his history, even with the reader, and it’s clear he’s got secrets of his own. Having read reviews of this other places, I already knew the Big Secret. (Hint: why does Sage both refuse to pretend to be the prince forever if he’s chosen and tell Conner “I am your prince.”?) Theoretically, knowing this ahead of time could have spoiled the book for me, like already known whodunit in a mystery. Not so. There are still so many gaps in Sage’s story, past and future (and present, the wily kid) that I was sucked in. Ultimately, Sage has to decide if he should go for being a prince or not – and how to get there without Conner coming with him if he does. As I get tired of books leaving me hanging waiting for the next in the series, I was somewhat surprised to see that the catalog record for this says “Ascendance Trilogy Book 1”. Nielsen has been very considerate with her series making: while I definitely want to read more of Sage’s adventures, this is a nicely rounded story in its own right, without being awkwardly chopped off at the right length. The False Prince combines strong characters with fast and tricky plotting, similar to – dare I invoke the name? – Megan Whalen Turner’s the Queen’s Thief series. That series has similarly strong characters who hold on to their secrets to the end, combined with top-level politics with a small number of players, though the gods and magic don’t play a noticeable role in The False Prince. That means that despite it not being set in any place definitely on our earth and having a very similar feel to fantasy books, it doesn’t really count as fantasy. Still, highly entertaining and well worth reading.

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Knits for Nerds

Knits for NerdsKnits for Nerds by Joan of Dark, a.k.a. Toni Carr

As with so many knitting books, I heard about this one on the Knitpicks podcast. There I learned that “Joan of Dark” is Toni Carr’s roller derby name, and that she also has a book of roller derby patterns. Knits for Nerds is a fun little pattern book. It’s organized by obsession rather than by garment type – fantasy, science fiction, comics and manga, and general geekiness. The patterns are mostly intermediate and beginner level, while even the advanced projects seemed more on the intermediate side to me. The yarn called for also is universally less expensive yarn, either from Knitpicks or brands available at craft chains – good for both beginning knitters and for people who might not want to make a major yarn investment for something that would be more for costume than regular wear. That being said, there are both flaming and more subtle geek things here, and while the projects are mostly garments, there are also some bags and stuffies, including a tribble and a robot. Declaration of Geek projects include the Princess Leia hat featured on the cover (with three braid variations), the Next Gen sweater, hobbit feet slippers, and a tiny felted top hat called the Top This fascinator, which one of my knitting friends said her teen daughter would go nuts for. Projects that could blend in or not depending on yarn choice, or would be considered medium geek level include a Jayne Cobb scarf and sock set (hat patterns readily available free on Ravelry), a chess board laptop bag, Gryffindor ebook reader bag, and Mr. Nancy fedora and gloves. Those last would stand out a lot in the called-for bright green and yellow, but a) only a really dedicated fan would recognize them and b) there the yarn color really is everything. My favorite projects fall in the Secret Fan category, including the Dragonrider [fingerless] Gloves, Summer Queen Shawl, and the really gorgeous Aim to Misbehave Brown Jacket. This last is a trench coat length sweater, lace from about the waist down, knit in sport-weight yarn. I don’t think I’ll ever have enough time on my hands to knit such a thing, and brown is not really my color, but still… I can dream. The photography is outstanding, models posed with fun and appropriate backgrounds while still showing good detail of the actual project. I had some quibbles with her book-related trivia, but that really is a minor complaint in a knitting book. And while I’m not casting on for anything from this book right this minute, this was very fun to look through myself and with friends, leaving us feeling satisfied and happy with our geekiness.

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Puff Flies and Queen Ella’s Feet.

Puff FliesPuff Flies by Sally Grindley. Illustrated by Valentina Medicino.
Queen Ella’s Feet by Sally Grindley. Illustrated by Sandra Aguilar.

I’m always on the lookout for easy readers that work for my smart dyslexic boy. He needs books that introduce new sounds and words slowly while retaining his interest, and many series, alas, do only one or the other of these. These two books from the My Phonics Readers series fit the bill perfectly. (The cover images from my usual source, my library catalog, clearly showed preliminary art, and I’m just noticing that the Puff Flies image from Amazon shows a different series name. I have no real answer for this one.) Queen Ella's Feet They’re both rated as Level 3, which seems to mean introducing vowel blends, a different one for each book. The back has a key of the phonemes used in the book, with spelling and pronunciation guide, and all non-phonetic words are bolded. Most of these are what my son’s school calls sight words, those most commonly used words like “was” or “where” that ought to be simple yet often aren’t. Both stories are funny, while working within the tight constraints of one or two short sentences a page, super-simple words, and featuring the same one and only one vowel blend on every page. In Puff Flies, a chubby baby dragon uses a kind witch’s spell for his first short flight, with lots of “spied” and “replied” before he gets it on his own. Dragons are always a hit, and cute baby ones are just as good as the deadly type. In Queen Ella’s Feet, poor Queen Ella’s feet are sticking out from under her blanket. King Alex asks for a sheet to cover them up, but the maid mishears, and goes seeking a sheep. In both of these, the story and bright art came together to make a book attractive enough that the two-year-old wanted them every day, too. As far as I can tell, Level 3 is as high as the My Phonics Readers goes, which is a pity.

I’m sharing this post with the Carnival for New Readers over at Perogies and Gyoza.

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Hex Hall

Hex HallHex Hall by Rachel Hawkins.

Sophie Mercer, age 16, is a witch. She’s lived all her life with her normal mother and never met her father, the warlock who passed on his powers. Like all Prodigium, Sophie’s had her powers since about age 12, but only now has she flaunted them in front of humans enough to be banished to Hecate Hall. Hecate Hall, popularly known as Hex Hall, is a boarding school/juvie center for magical teens off the coast of Georgia. The term Prodigium encompasses witches, were, shapeshifters, fairies and vampires, and Hex Hall has them all. But just because they’re all magical doesn’t mean they all get along, as Sophie finds when she’s assigned to room with Jenna, the school’s lone student vampire (though Lord Byron is one, and teaches English here.) Right away, Sophie finds herself in the middle of high school social drama. She’s saved from an out-of-control werewolf by the cutest boy in school, Archer. Archer’s dating the superficial but beautiful and popular Elodie, who wants Sophie, whose powers are strong if undeveloped, to join her coven, which needs four members. The coven’s previous fourth member, Holly, died last year under highly suspicious circumstances – drained of blood, with two small holes in her neck. It’s widely suspected that Jenna, who was Holly’s roommate, is responsible, but Jenna is scared and depressed and seems to be sincere when she claims that Holly was her best friend. Meanwhile, Sophie is finding that she knows nothing about the magical world that all the other kids have been raised in. She didn’t even know that her father was head of the Council, and as the Council is responsible for banishing teens and some adults to Hex Hall, that makes her pretty unpopular. Also, though she’s told that she has potential for great power, she can’t seem to control it. The plot thickens as more witches on campus start turning up dead or nearly dead. But if Jenna is innocent, who is really responsible? Were Elodie and her coven successful in their attempt at raising a demon last year, or has L’Occio del Dio, one of the ancient groups founded to wipe out all Prodigium, found a way to penetrate Hecate Hall’s formidable magical defenses? If Sophie doesn’t both learn how to control her powers and find out who is behind the killings soon, it will be too late: the killer is targeting the school’s most powerful witches, and she’s next up on the list. This reminded of Buffy in the very best Demonglass way, with the felicitous combination of magic, almost-typical high school experiences and snappy dialogue, even if Sophie is on the other side of things. As an example, at one point Sophie is trying and failing to charm herself a ball gown, and describes one failed attempt as looking like “the really slutty bride of Cookie Monster.” Though it has spycraft instead of magic, the Gallagher Girl books have a similar combination of boarding school setting, danger and fun dialogue.

The second book in the series, Demonglass, intensifies everything, as Sophie travels to London with her father and has even less idea who might be trustworthy. But if Sophie might be somewhere on someone’s hit list in Hex Hall, in Demonglass, she’s clearly at the very top of at least one and possibly more, with, you know, the fate of all Prodigium instead of just the Hex Hall students at stake.

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Fairest of All

Fairest of AllWhatever After: Fairest of All by Sarah Mlynowski.

In this light modern fantasy, practical Abby and her trouble-prone younger brother (ages 10 and 7, respectively) move to a new town. In the spooky basement of their new house, they find a large mirror, which turns out to be magic. In fact, it takes them (Abby most reluctantly) right to the middle of the tale of Snow White. Younger brother, a bit quicker thinking than Abby, recognizes this immediately – the wicked stepmother is trying to give Snow White the apple. At first they congratulate themselves on having saved Snow’s life, but then they realize that they’ve also deprived her of her happy ending. On the other hand, does Snow really want the happy ending the storybooks have assigned her? This is clearly the beginning of a series, not necessarily deeply thoughtful but without any painful clunkiness. I’d recommend it mostly to girls of the target middle grade age. Except that Elaine_Alina should read it, maybe to her daughter. Because really, how often does the heroine win the day by studying property law?

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The Coming of the Dragon

I’m sure I heard about this book when it first came out, but somehow, my library didn’t buy it (I’ve since requested that we do so) and we can’t interloan new books… so I forgot about it, until, once again, Charlotte wrote about the sequel.

The Coming of the DragonThe Coming of the Dragon by Rebecca Barnhouse.

As the book says on the cover, this is a story of Beowulf. Specifically, it’s the story at the end of the epic poem, when Beowulf is an aged king, and a dragon comes and disrupts the peace. At the beginning of the story, we see a baby wash up to shore in a boat with a dead man, formally and properly laid out. Though there is some dissention from those who think the baby an offering who should be left to the gods, the old woman Amma takes and raises him. Fast forward sixteen years, and young Rune, called so for the rune on the necklace he came with, is living in a hut on a farm with Amma, with a foster father and two unkind stepbrothers in a house nearby. In the summers he helps on the farm, while Amma sings him ballads of kings and of Peaceweavers, noblewomen sent to marry into another tribe and make peace between them. Only in the winters is he allowed to join the other town boys in sword training, which of course puts him at a permanent disadvantage. Even though he’s close to the right age, he isn’t one of King Beowulf’s official warriors. One evening on the mountain, chasing after a runaway goat, Rune meets a stranger hiding a gold cup, who recognizes the rune. While Rune is still on the mountain, the dragon makes its first pass, burning farms, people, and even the king’s Golden Hall. Burning with desire to avenge Amma’s death, Rune sets off on his own to slay the dragon. Though he fails, he learns where the dragon’s cave is, and so comes along on the next, official expedition with Beowulf and his best warriors. Can even King Beowulf defeat a beast whose very presence strikes terror into the hearts of the bravest warrior? And (just supposing here that they actually succeed in killing the dragon), Rune might just find that the hardest part comes afterward. A country whose houses and crops have been burned down and which is surrounded by hostile nations isn’t exactly in the clear, even without a dragon.

I’d really like some of my friends who specialize in Viking to read this for their opinion, but from my point of view, this is bang-up historical fantasy. I didn’t notice any jarring anachronisms either in the setting or, as happens even more often, in the main character’s mindset. That can work in some cases – the Jacky Faber books, for example, which are aiming at adventure more than historical accuracy. Still, the kind of attention to detail found here is a joy. There are no potatoes, velvet, spinning wheels, people saying “hello” or believing in their heart of hearts that slavery is wrong and women are oppressed, to name just a few of the anachronisms that I regularly see in historical fiction. (Though Barnhouse, in her notes, says that it isn’t entirely accurate, incorporating bits of Anglo-Saxon culture from a few centuries later.) Even though this is fantasy from a modern point of view, it’s a book that feels like it isn’t fantasy from the point of view of people of the same time from our world. They call for help from the gods, and are encouraged when they see ravens or goats with two-color eyes, r animals beloved of their gods. Everyone has lost people they love, due to war or the dragon or other causes, and this also felt realistically dealt with: lots of pain, and yet life has to go on. One of the reviewers on Amazon complained that Rune lacks self-confidence through the whole book: shouldn’t he start believing in himself at some point? And I would say, why should he? He starts the book as one of the unpopular kids, and getting thrown into a position of power doesn’t stop him from realizing that he’s young for what he’s got to do, and any mistakes he makes would have dire consequences. Really, I find this attitude both believable and much easier to get along with in a protagonist than, say, Eragon, whose unearned self-confidence struck me as arrogant.

At the very end of the book, we meet Hild, sent to Rune’s tribe as a Peaceweaver. She is the heroine in her own right of Peaceweaver, which came out this year. I don’t have time to give it a full review, but it starts and ends at the same point as The Coming of the Dragon, and I enjoyed it hugely as well. More, please!

For some reason, the first of these two books was billed as middle grade fiction, and the second as teen – um, thinking about it, probably because Rune doesn’t kill any people himself, while Hild accidentally kills a would-be murderer. Overall, though, no sex, and what felt like similar amounts of violence with thoughtful reflections on the effects and limitations of using weapons for conflict resolution.

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How Eskimos Keep Their Babies Warm

There have been a couple of books about parenting in other cultures recently that I just haven’t wanted to read. Just from the descriptions, I could tell both that the basic premise is “Americans are parenting wrong” (as if an entire nation could possibly all parent the same way) and that what they were advocating was a return to strict authoritarian parenting, which I am not interested in. This book, on the other hand, sent out a siren call.

How Eskimos Keep Their Babies WarmHow Eskimos Keep Their Babies Warm by Mei-Ling Hopgood.

Hopgood is a southeast Michigan journalist who moved to Buenos Aires with her husband, also a journalist, and had her first child there. She started noticing that the Argentinean parents were breaking some of the hard and fast American parenting rules about giving children early and consistent bedtimes. She investigated further, talking to American sleep experts and her Argentinean friends and pediatrician, looking at sleep in other cultures as well. The Argentineans keep their children up late because everything happens late in Argentina – nine p.m. is typical dinner time. They say that it’s important for children to be with their families, and of course, a society that stays up so late also doesn’t get started as early in the morning as ours. The book has eleven chapters, each looking at different parenting practices and how they are treated in different cultures. Each has a primary focus on American vs. one other main culture, but other cultures are drawn in, too. She looks not only at the practices but the values that inspire them, looking at how other practices might and might not fit with typical American values, finally discussing what she took away to try with her own daughter. The sleep chapter, for example, brings in how the Western/American practice of insisting that children sleep in their own beds in their own room is quite rare globally. Americans want their children to become independent as soon as possible, and encouraging independent sleep is one way of doing that. Other cultures value togetherness more, and find the idea of leaving children and especially babies to sleep alone horrifying. Her chapters cover cultures and issues like the Chinese and early potty training, Kenyans and babywearing (aka going without strollers), the French and healthy eating, Mayans and working children, Lebanese Americans and keeping family close, Asian school success, Japanese letting children fight, Tibetans valuing pregnancy and (me forgetting the cultures) independent play & socialization by peer group, and super-involved fathers. For each issue, she looks at what she might I liked that there was a balance of attachment-parenting style issues like the babywearing and sleep schedules and things like keeping extended family close or the Japanese tolerance of children fighting that aren’t attachment parenting issues per say and that I haven’t seen discussed as often.

My shoulder hurts just thinking about her tale of trying an airport with a toddler and a ring sling, rather than any kind of two-shoulder carrier meant for older children, and I wished that she had found a Babywearing International person to consult on finding a better carrier for the purpose. However, I have finally learned, I think, how it is that babywearing cultures can keep babywearing so much longer than most Americans can manage: we are, collectively wimps. We start giving up on one-shoulder carries at about 15 pounds (this from my own wonderful babywearing advisor) and most people would consider a typical two year old too heavy to wear regularly. I know I find my thirty-pounder just too heavy. But the Kenyan mother she quotes, with a child a pound heavier, is used to carrying 50 and 60 pound sacks of grain; she considers him so light that she wouldn’t want to waste her money on a bulky stroller. I had mixed feelings about Hopgood’s conclusions from the French and eating chapter, too; she came to the conclusion that the solution is to expose children to real adult food earlier rather than later, to make time and space for eating and take it seriously – and to insist on children trying at least two bites of everything. I agree with everything except the last, based on the research of my favorite nutritionist Ellyn Satter, who advises the parents selecting the food, place and time and letting the children pick entirely how much and of what is on the table. On the topic of Asian school success, I was interested and gratified to read that it isn’t all a result of the Tiger Mother-style pushing whether or not kids are interested. Yes, there’s an element of “your success or failure reflects on the Family Honor” that doesn’t sit too well with American culture – but there’s also the aspect of Asians being convinced that success is mostly a matter of hard work, whereas American tend to believe that success comes from innate talent. The value of focusing on the effort rather than just the end result is something that has come up over and over in my research, from Montessori theories to Nuture Shock. It’s especially valuable for my family, as my son needs to know that the dyslexic label isn’t an excuse for failure but a guide to focusing his effort. And, quite curiously, I’d never heard about Japanese letting kids fight until quite recently, when I had two separate Japanese-American families talking about it. M., born in Japan but in the U.S. since high school, was shocked when she took her toddler to a Japanese play group. “They didn’t stop the children from hitting each other!” she said. K., an American who had her first child in Japan confirmed. “The schools are so strict – they just wait for the kids to start school and let them discipline them,” she said, adding that her child had a hard time attending both Japanese and American preschools, one where fighting wasn’t allowed and one where it was. But Hopgood, talking with educational experts, gives a different reason for allowing conflict: children need to learn that their behavior can upset people, and they’ll learn about real reactions best if they get to experience the real reaction. I don’t think I’d be rushing to send my child off to Japanese preschool myself with that philosophy, but at least it makes a little more sense.

The whole book is driven by curiosity and the message that there are millions of good ways to parent rather than judgment or a sense of parenting failure. I found it fascinating reading that’s light enough to be compelling and backed up with enough research (sources given!) to be legitimate.

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Roots of Empathy

My good friend Dr. M. is on a Quest to get this book better known, specifically to get enough grassroots support behind it that the program it describes can be expanded to the Ann Arbor area.

Roots of EmpathyRoots of Empathy by Mary Gordon. The book describes the long-running school program of the same name (http://www.rootsofempathy.org/en/), which Mary Gordon started in Toronto in the mid-nineties, after over a decade of inner city teaching. It is her solution to the problem of how to help those children that come to school clearly never having been taught how to have a real, healthy relationship, and are thus handicapped for learning for the rest of their school career. In the program, trained parent/baby dyads (ok, the parent is the trained one) visit a school program about once a month over the course of a year. A trained instructor comes along, too, and talks to the kids beforehand about baby development and safety. The babies are carefully screened by age – starting at 4 to 6 months old – so that the children will see the great leaps of development that take place during the first year. Because schools must meet standards, there’s also curriculum around it, supporting math and reading standards at several different grade levels. But the amazing thing is how well the program works at creating empathy, and how helpful that skill is in the classroom. Bullying in Roots of Empathy classes decreases to zero or close to it. There’s measurable increase in prosocial/helping behavior, active stopping of bullying in other classes. The kids are able to suggest lots of reasons why a baby might be upset and how to help it. Watching how hard the baby works to meet its milestones makes them more patient and persistent with their own goals, while learning about temperament regarding the baby also gives them understanding about themselves and their classmates. While my account here is filled with dry facts, the book itself is filled with lots of anecdotes of babies gravitating towards the toughest kid in the class and melting the hard outer shell, of foster kids holding the baby and asking if kids who had never been loved could be good parents. There’s also the sad cautionary tales of teen parents who think, for example, that babies are wimps if they cry for their mothers. As Dr. M said, we can train our own children not to be bullies and to stand up for others, but what about the rest of the people they will run into? And as Gordon says, empathy is not taught but caught. Three phrases: enlightening, heartwarming, change the world.

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