Caddy’s World

Caddy's WorldLook! I finished a series!

Caddy’s World by Hilary McKay.
This is the most recently published book in the Casson Family series, which started with Saffy’s Angel. The four Casson Family books that came between Saffy’s Angel and this one were all delightfully different in terms of what was happening, but similar in that it was always the same quirky Casson family, featuring some amount of time with each child in the family and his or her trials, no matter whose name was on the cover, as well as a character who wanted to be part of the Casson family. I read them all and enjoyed them very much, but didn’t feel a need to review them all individually. I love the children. Eve Casson, the mother, manages to pull through despite her distraction, while Bill, the father, simultaneously saves the day and is generally despicable.

This book jumps back in time to when Caddy, the oldest, is 12. Her life revolves around her small circle of friends, a stable quartet each with her own defining characteristic: “Alison – hates everyone. Ruby is clever. Beth. Perfect. Caddy, the bravest of the brave.” But change is coming. Many of the girls, including Caddy, see change coming and fight it as hard as they can, trying to change who they are so they can fit where they were. Ruby has earned a scholarship to the local private school, which sounds dreamily academic, but would mean leaving her friends behind. Beth is growing taller every day, and begins eating as little as possible so that she can stay small enough for her beloved pony (this part was especially distressing.) Alison carries on as usual, hating everything. Caddy fights furiously any hint that her quartet might not stay as close as they are now forever. She is changing, too, and here develops her first crush (one of many, we know), a boy named Dingbat who effortlessly charms three of the four friends, and would give up the three to have the one resister.

Meanwhile, those readers like me reading in publication order finally get more detail on Rose’s birth and why Eve needed to name her Permanent Rose. Rose is called just the Fireworks Baby at first, because she was meant to be born in November, close to Guy Fawkes Day, though she arrives in summer, several months too early. Caddy felt that her family was large enough already, but even once the baby has charmed her, she is upset, fearing that Rose will suffer the same fate as all the baby birds she’s tried to rescue herself. Even though having read the others I knew that Rose would be OK, I loved learning more of her story and seeing her go from an alien, awkward creature (McKay is very honest in her descriptions of the frightfulness of a very premature baby) to a healthy member of the Casson pack. Even as much as I enjoyed the other books, I was still deeply impressed with her ability to take so many different plot lines and characters, both ranging from the ordinary to the extraordinary, weave them together cohesively, and make me care about all of them.

I wish it weren’t the end of the series.

You can read what other book blogging people thought of this at:
Sonderbooks
Ms. Yingling Reads
The Book Nut

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City of Bones

Long-time readers may remember that I first picked up Clockwork Angel, straight off the returns cart at work, because it looked like steampunk, having completely missed it in the list of bestselling children’s and YA fiction that I faithfully read in Publisher’s Weekly. Um. That might say a lot about my mental state the last few years. Anyway, it was only talking with one of the pages at the library who’s an enthusiastic Clare fan that got me to read Clare’s first book, set in 2007 and therefore decidedly not steampunk. It’s a fine time to start, though, as the movie is coming out in August.

City of BonesCity of Bones by Cassandra Clare. Read by Ari Graynor.
Clary Fray believes herself to be a mostly ordinary New York teen. Sure, her father died before she was born and her mother’s never dated again – but really. She loves drawing and manga and hanging out with her best friend Simon. And then her world starts cracking. She sees two boys and a girl – whom no one else can see – murdering another boy in a nightclub. Then her mother disappears, leaving a giant spider-like demon in the apartment looking for Clary. This draws her into the world of the Shadowhunters and their New York Institute. She learns that her mother had once been a Shadowhunter, and that for some reason, she was hunted by an evil rogue former Shadowhunter named Valentine (cue the Imperial March.) The Institute is populated by the teens she’d seen in the nightclub – darkly handsome Alec and Isabelle Lightwood, and blond Jace Wayland, as well as an older Shadowhunter who’s there as their tutor. All of the Shadowhunters are arrogant, but Clary finds herself attracted to Jace in spite of this. Meanwhile, there’s lots of demon-hunting, intrigue, a quest, adults not believing teen telling them what’s going on, as well as exploring the invisible world of vampires, werewolves, and faeries. It’s all written in purple prose that nevertheless moves the plot along at breathtaking, can’t put it down pace.

The funny thing about reading a first book in a series so late is that it made it really obvious how much Clare refined her world in the intervening books. I especially noticed the development of the parabatai or blood brother relationship. In this book, two sets of major characters say that they are parabatai, but there’s never a hint that this is any more than kids nicking their fingers and holding the cuts together, as any mundy might do. In the later-but-set-earlier series, this relationship involves rituals, runic tattoos, and a serious, life-altering commitment to the partner. City of Bones, too, seems more of a fan’s mash-up of several different worlds – I noticed Buffy and Star Wars themes right away, and Wikipedia also cites some Phillip Reeve books that I haven’t read. There are worse places to draw inspiration from, to be sure, and enough sources to make this different – but the themes really showed. The other series (and probably later books in this series) are set much more solidly in their own world.

I listed to this on audio, partly because I was in need of an audio book and partly because the print books were all checked out of the library due to the upcoming movie release. (I wish I could find the cover picture from this version to show you, which featured a scared-looking, dark-haired girl of about 12, who bore no resemblance to any character in the book.) Unfortunately, I didn’t find it a great audiobook adaptation. Ari Graynor sounds fine and convincing reading Clary, but she didn’t differentiate consistently between characters of different genders or ages. It got really confusing listening to a 400-year-old (or so) warlock talking with the voice of a teenage girl. Also, I found her accent especially strongly American, even when reading bits in other languages, and it was just a little grating. I kept going all the way through because the plot was compelling enough that I couldn’t stop, especially knowing that it would take months to get my hands on a print copy. I tried City of Ash, the next book, on audio as well and found that it had the same problem, even with a different narrator. Maybe it would be a good candidate for a full cast narration someday, or a reader really talented at doing unique voices for each character. It’s also fast-pasted enough that I can finish that fat books in a couple of days, but listening to a 17-CD book just takes ages. So for now, I’m reading the series in print. But I am still reading it (or at least, I will be when I’m done waiting for the third book to be returned.)

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The Great Lollipop Caper

A few notes: Yesterday marked my 800th post. Yay me! Yay reading!
Today is the official release date for Sarah Zettel’s Golden Girl, sequel to last summer’s Dust Girl, which I loved. I haven’t been able to lay my hands on it yet, but look for my review as soon as I do, and for a guest post from Sarah coming up soon.

Great Lollipop CaperThe Great Lollipop Caper by Dan Krall.
Mr. Caper has always hated Lollipop. All the children in the whole world adore Lollipop, while Mr. Caper’s fan club is limited to a few adults. But one day, Mr. Caper hatches a dastardly plan to make all the children of the world love him: he will infiltrate the lollipop factory and make all the lollipops taste like capers! Then he will bask in their adoration and Lollipop will know what it means to feel rejection! But when the children taste the caper-flavored lollipops, chaos breaks loose and Mr. Caper must re-evaluate. Can Mr. Caper and Lollipop find a way to fix the mess Mr. Caper made and regain Mr. Caper’s fan club? The story is illustrated in minimalist style that has the feel of classic Saturday morning cartoons. Everyone in my house, including the three-year-old, eight-year-old, and two generations of adults was charmed by this story.

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Relish

RelishRelish: My Life in the Kitchen by Lucy Knisley.
Lucy Knisley (French Milk) loves food. In this book, she shares stories of food in her life, with particular episodes linked to food and recipes to go with each. She writes about her mother’s excellent cooking and how her mother worked her way in the food industry in New York City, then got divorced and started a farm upstate, which Knisley then had to help on. After the divorce, Knisley’s father traveled with her stay connected, taking her to fancy restaurants in Italy and being disgusted when she nipped out for American fast food. In a hilarious coming-of-age tale, Knisley (then 12), her mother, and her mother’s best friends and kids go on vacation in Mexico. The mothers both fall ill, leaving Knisley and her best friend, a 12-year-old boy, to roam the city unsupervised, spending all their money on Mexican candy and other forbidden treats. (Warning for parents: the friend discovers that the sale of porn magazines isn’t regulated in Mexico, and there are tiny, undetailed cartoon images of a rack of porno magazines. But this is as explicit as the book ever gets, and there is no violence.) In later life, Knisley travels abroad with a college friend, gorging on apricot-filled croissants in Venice, and later yet, as an impoverished grad student, saves $250 for a single meal at the best restaurant in Chicago with her boyfriend.

Through it all, love of life, love of food, and love of friends and family intertwine. The recipes are as much cartoon as the memoir parts, shown with pictures for each step along the way and ingredients drawn out instead of listed. My love, foodie and graphic novel found, found this Absolutely Perfect, and I really enjoyed it as well. I’d say it’s best for teens and up, due to the reflective nature and the slight hint of adult content.

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Chantress

ChantressChantress by Amy Butler Greenfield.

Lucy has been raised on a remote island with just old Norrie for company and only vague memories of the mother she believes died in a shipwreck on the way to the island. Always, she is told that she must never sing, and she must never take off the stone pendant she has always had. But of course, she becomes a teenager, and rebels. She takes off the necklace, sings the song she hears floating in the air – and is magically transported to London. In a move both dangerous and informative, she’s sung herself into the library of Lord Protector Scargrave. (I’m trying to think if I’ve ever read of a well-meaning and uncorrupted Lord Protector.) She manages to conceal herself in time to overhear him detail plans to search for and eradicate any remaining Chantresses, and is able to conclude that she is a Chantress herself and therefore in Mortal Peril. Fortunately, she manages to follow a spy, Nat, through a secret passage out of the library and is eventually offered shelter by Master Penebrygg, his master and part of the resistance movement. Lucy will have to learn to use her powers very quickly indeed if she is to stop Scargrave from spreading his darkness and fear even further over England than he already has.

There were a fair number of predictable elements in this book, from Lucy being the Chosen One to the development of some romantic feelings between Lucy and Nat. This did not stop me from finding a great many things to enjoy about it. The basic premise is that singing is pure magic, which I love and means that I can add it to my Fantasy for Music Lovers list. Even though there’s clearly a lot of alternate history going on, the story is set firmly in London of 1667-1668, with a lot of effort put into making the daily life as accurate as possible, which I also very much appreciate. The romance is sweet and subdued, with much more emphasis on getting to know each other and accepting each other’s differences than on Longings. (Nat is a scientist and opposed to magic in general.) I thought the Shadowgrims, Scargrave’s spell-altered raven spies, were just scary enough without being overly terrifying, making this book suitable for younger teens and older middle-grade students on up. Though there is danger and action, we spend a lot of the book with Lucy as she tries to figure out who she is and how to use magic ethically. All in all, I found it a highly satisfactory book.

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How I Choose for Audiobook Week

Audiobook WeekToday’s Yesterday’s question from Jen at The Devourer of Books is how do I pick my audiobooks and how do I decide whether to read or to listen. (I wrote this yesterday, and then the library got too busy and I didn’t have a chance to post it.)

The vast majority of my books, both print and audio, come from the library. I usually listen on CD in the car, though I’ll sometimes download audiobooks from the library through Overdrive as well. I have a few books purchased from Audible and Pottermore, ones that I’d listened to before and knew I would want again.

Bloody JackDeciding what to read and whether to read or listen is a bit trickier. Often, if I read of a good book in a journal or on a blog, I’ll look first to see if it’s available as an audio book. If it is, I’ll try to listen. Unless I already have a hefty wait list for listening and my stack of print books is shorter, in which case I might skew towards print – but the reverse happens just as often. Katherine Kellgren is my favorite narrator right now, and I’ll listen to just about anything she’s reading – favorite series she’s done include the Bloody Jack/Jacky Faber books, the Enola Holmes books and the Incorrigible Children of Ashton Place. Wil Wheaton is also amazing paired with the right book Ready Player OneReady Player One at the top, of course, and Little Fuzzy (which I never finished due to technical difficulties, but should really get back to.) Until she retired last week, I relied on my teen librarian, who was on the Odyssey awards committee and knew what kind of books I liked, to tell me what books I needed to listen to. I will really miss her. I often have long hold lists for print books, but because audiobooks take me longer to finish, I’m more likely to just go to the library shelves and browse for them.

divinersThere are also good reasons to read things in print, though, too. If it’s a part text, part picture book, like Brian Selznick’s books, or the Wimpy Kid books – I know there are audiobooks available, but it makes more sense to me to read in print in that case. I just gave up on the Mortal Instruments series on audio because I didn’t think the narrator worked – even though they switched narrators from the first book to the second. And I am something of a wimp. If there’s a book that I think is scary enough that I don’t want the full immersion that audiobooks give me, I’ll turn to print again – as I did with The Hunger Games and The Diviners. Sometimes, too, length will put me off an audiobook, as I don’t have enough time in the car by myself these days to make it through the really lengthy books. And I read print faster than I can listen, so if it’s something there’s a time crunch on, I’ll also go for print.

Either way, I know I’m a helpless addict because I always need to have at least one book in print and one on audio going at any given time, and preferably at least one backup for each as well.

And wait!  It’s also Kid Lit Blog Hop day.  I’ve been too busy writing about audiobooks in general to write about kid lit yet this week, but I’ll link up one of my posts from last week.  And you should definitely hop over and see what everyone else found the last two weeks!

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Favorite Audiobooks for Audiobook Week

audiobookweekbutton_zpsdb6e126cIt’s Audiobook Week over at Devourer of Books. I always have two or three audiobooks going at any given time, so I thought it would be fun to join in the audiobook love. Here’s the breakdown: I must always have an audiobook in the car for myself, usually on CD. Right now, that’s The Wake of the Lorelei Lee by L.A. Meyer, narrated by Katherine Kellgren. (I would happily listen to her read a grocery list.) My eight-year-old son also needs a separate book for when he’s in the car. We’re doing Harry Potter and the Goblet of Fire at present. And sometimes (like right now), I’ll listen to a different audiobook on my iPod at home for when I’m doing things like washing dishes or folding laundry. I’m still finishing up Goliath by Scott Westerfeld, which I started for the 48 Hour Book Challenge last weekend. (I also keep a couple of print books going for myself and one to read to my son, but that’s a story for another day.) I grew up in a family that read aloud instead of watching TV, so I transitioned easily from having a family member read to me while washing dishes or driving to listening to audiobooks.

Today’s discussion topic from our lovely hostess Jen was our favorite audiobooks of 2012-2013. Here’s what I’ve been listening to since last June (mostly, I hope, and deliberately skipping the couple that just didn’t work for me):
nightcircusDaughter of Smoke and Bone by Laini Taylor. Read by Khristine Hvam.
The Wind in the Willows by Kenneth Graham. Read by Jim Weiss.
Around the World in 80 Days by Jules Verne. Narrated by Frederick Davidson.
The Night Circus by Erin Morgenstern. Read by Jim Dale.
Book of a Thousand Days by Shannon Hale. Full Cast Audio.
Book of 1000 DaysThe Raven Boys. Book 1 of the Raven Cycle. by Maggie Stiefvater. Read by Will Patton.
Harper Hall Trilogy by Anne McCaffrey. Performed by Sally Darling.
Will Sparrow’s Road by Karen Cushman. Read by Katherine Kellgren.
The Scorpio Races by Maggie Stiefvater. Read by Steve West and Fiona Hardingham.
Reckless by Cornelia Funke. Read by and Lionel Wigram. Translated by Oliver Latsch. Read by Eliott Hill.

Looking back at my whole list, I’m impressed to see that there were really only two books that I listened to that were so awful that they didn’t make this list of good audiobooks. My very favorites of these were The Night Circus, Raven Boys and The Scorpio Races. But really, all of the books above had me longing for more time doing otherwise less than pleasant tasks so that I could get more story, thinking about them even when I wasn’t listening.

Do you like audiobooks? What are your favorites?

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Amelia Rules. Vol. 2. What Makes You Happy.

I’ve been trying to read more kids’ graphic novels, so when this came home from a Daddy-sponsored library trip for the kids, I had to try it. It’s a series I’d been hearing about as one of the Big Kid Series for years, and now I understand it. Big as in nominated for multiple Eisner awards, Harvey awards, won a Cybils award in 2007, and the most recent volume, Her Permanent Record, made the New York Times Bestseller list.

Amelia RulesAmelia Rules. Vol. 2. What Makes You Happy. by Jimmy Gownley
Amelia is a happy-go-lucky, rock’n’roll-loving fifth grader who lives with her mom and her aunt Tanner, a former rock star. Her stories are told in episodes that are certainly longer than a comic strip, but shorter than a typical floppy comic book – short enough to be clear that the humor is important, but long enough to go for some character development as well. Amelia is a member of the GASP club for superheroes, more because it’s run by her crush, Reggie, than because she really aspires to be a superhero. Also in the club is her frenemy Rhonda, a rival for Reggie’s affections, and the quiet and shy Pajama Man. This is younger middle grade romance, so what the girls are aspiring to is getting Valentine’s Day cards from the object of their affections. There are also stories about GASP’s battle with the ninja kids from across town, Aunt Tanner’s brief moment of returning fame, a bittersweet episode as Amelia deals with the death of an unknown great aunt and its impact on her mother and aunt, and a trip to Manhattan to visit her dad and her old best friend.

I have to say, this book deserves its accolades. The stories hit just the right balance of realistic kid, hilarious adventure, and kids learning about life. The art is solidly done, very aware of the comic heritage it’s drawing on, from Peanuts to Calvin and Hobbes. While he mostly uses an easy-to-follow grid pattern, Gownley sometimes breaks the grid to hilarious effect. For those who like their stories realistic and funny – I’d give this to fans of Big Nate, Dork Diaries, and yes, Calvin and Hobbes, as well as the standard realistic but funny middle grade fiction.

Speaking of kids’ comics, I recently heard about the Kids’ Comics Revolution Awards. Podcast hosts and comic book artists Dave Roman and Jerzy Drozd have started this first-ever award for kids’ comics where only kids can vote. The categories range from best in a variety of genres to best hair in comics and grossest moment in comics. Voting is online (see the link above) or in person at the Kids Read Comics Convention in Ann Arbor next weekend.

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Sapphire Blue

sapphireSapphire Blue by Kerstin Gier.
This is the second book in the Ruby Red trilogy (called “Liebe geht durch alle Zeiten” or “Love goes through all times” in the original German.) It is more time travel fun, with a light chick lit feel even as our main characters’ lives are in danger. It’s only been a few days since the start of the first book. Gwyneth/Gwendolyn/Gwen is getting more involved with the organization that controls the time travelers, still falling in love with handsome fellow time traveler Gideon and trying to figure out what his feelings are. Her suspicions that something is not quite right with the official story is getting stronger, but she doesn’t seem to be able to convince anyone (including herself) that she’s competent enough to be taken seriously. This last is much more common in chick lit than in fantasy, and I found it quite refreshing to have a heroine whom we know has some talents but who’s mostly considered Saphirblautoo ordinary to matter much. In the “something is not right” category, we have young runaway lovers Lucy and Paul, who are sweet when we see them but believed to be bad, versus the very creepy but clearly in charge Count. Gwen also acquires a sidekick in the form of a gargoyle-like creature that no one else can see, Xemerius, and spends time with her best friend trying to figure out what it means that she is supposed to be the Raven. It all started out looking very clear-cut (but still addictive), and I was pleasantly surprised to find that the plot did have some unexpected twists.

All three books in the series and the movie version of Ruby Red are out in Germany, but Emerald Green isn’t due out in the U.S. until September. I really, really wish I could find an ebook version of the German, because then I could read it right now and I’d love to read it in the original anyway. All my searches on this have been unsuccessful, though – if any of my German readers have any tips, I’d love to hear them.

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Jinx

This is the second and final book that I finished as part of the 48-hour Reading Challenge.

JinxJinx by Sage Blackwood.
Jinx is a young boy growing up in the Urwald, where one just learns to stay on the path, and better yet, stay in one’s own clearing. But his stepparents decide at the very beginning of the book that he’s no longer worth keeping, and sell him to the wizard Simon Magus. At least, his stepfather would have sold Jinx if he was willing to accept the price the wizard was willing to give him, but it’s really not such a good idea to stand around haggling in the Urwald. And now Jinx is warm and well-fed and treated gently for the first time in his life, and if the wizard is somewhat rude and doesn’t want to share his secrets – well, Jinx will probably find a way around that, at least the secrets. He meets Simon’s wife, Sophie, who lives on the other side of the solid stone wall in the secret part of Simon’s house. I’d somehow heard a lot about Sophie before reading the book, and have to agree that she is a most delightful character. Anyway (coming to a point where avoiding potential spoilers is tricky), one thing comes to another, years pass, and Jinx runs away from Simon, suddenly finding himself traveling with a boy and a girl his own age. The boy, Reven, knows nothing of the Urwald, and has to be protected from doing idiotic things like trying to spend the night off the path or cutting up living trees. Simon has been watching the girl, Elfwyn, from Simon’s magic window for years, and finds that she is not nearly as instantly sweet and understanding in real life as she was in his imagination. All three of them are under some sort of curse, and they head off to the Bonemaster, the most feared wizard in all of the Urwald, to see if he can reverse their curses, even though Simon told Jinx most particularly to stay away from the Bonemaster.

This is really just the perfect kind of book for me, full of characters that I like and want to know better, and magic that involves being able to hear trees talk (something I tried very hard to do as a child) and a setting that is both new and filled with familiar things. It is split up into two distinct sections, the first part with more internal conflicts as Jinx gets to know Simon and Sophie and tries to learn magic, and the second one, where he is engaged in a Daring Quest with Noble Companions. I enjoyed both parts, and I liked especially that the quest started not because of a big prophecy and Jinx being the chosen one, but because he got in a fight with Simon. And that fight was both about the particular magic of that world and also about something that comes up so often in our world, an adult keeping secrets from a child, thinking that said child isn’t yet ready to handle the truth. It all came together just beautifully. I’d say this is an excellent choice for fantasy-loving people of about ten and up, and recommend it very highly.

I won this book from Charlotte’s Library, and Sage Blackwood was kind enough to autograph the book and write me a separate notecard, so that I can keep her signature even if I decide that the book should move on, say, to my son’s underfunded school library. When I mentioned this possibility to my son, he said that we could pass it on after we’d read it “a dozen or a hundred times.” That’s my sweet booklover, even if reading is still an uphill struggle for him. And I did really love it, so I don’t think I’ll be passing it on just yet.

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