The Diviners by Libba Bray.
Libba Bray comes and goes for me – I loved Going Bovine, but tried and mostly failed with more than one of the A Great and Terrible Beauty. I wasn’t quite sure which way this new book would go, especially since so many other people did love her first fantasy series. Still, I heard so many things about it that I thought I’d give it a try, even though it is a commitment at almost 700 pages – the audio version is 15 discs long.
This is a book of contrasts, with the bright fun of the flapper culture in New York of the 1920s contrasted with the grim realities of life for the poor and immigration, bound together in a tale of a doomsday cult tying into magic that is darker and stronger than they realize. A group of diverse older teens comes together almost accidentally, but bond over their similar dark dreams and an assortment of occult powers that they keep secret, things like reading history in objects, healing, and prophetic dreams. We are introduced to one after another of them, most coming together gradually as the story goes on, including a would-be happy-go-lucky Evie from Ohio; her serious best friend and the daughter of political reformers, Mabel; an African-American poet and numbers runner named Memphis; and Ziegfield girl Theta and her gay composer roommate Henry. Evie comes and tries to shake things up at her uncle’s struggling museum, popularly known as the Creepy Crawly Museum, and quickly gets drawn into more serious things – a series of clearly ritual murders that look like the work of a Doomsday cult trying to raise the Beast. This is much more horror than I usually read – Bray gives us third-person narrative from the perspective of nearly all of the murder victims, to maximize the fright. She has one of the hallmarks of good horror, which is that though there are plenty of creepy supernatural elements, the scariest parts are all real, things that people really have done or believed. I had to keep reading for the characters, but this really was too scary for my sensitive soul, and I had to stop reading it at bedtime. The plot wraps up fairly tidily, but it’s clear that this is the first of a series. I’ll hope for a more cohesive knowledge of the team that’s implied in the name Diviners than actually came about in this book. This is a solid teen book – maybe a bit too scary and suggestive for younger kids, but nothing to make it inappropriate for teens. If you like atmospheric historical fantasy on the dark side, this is an excellent choice.
Dragonsinger by Anne McCaffrey. Read by Sally Darling.
3 Dead Princes by Danbert Nobacon. With Illustrations by Alex Cox.
Cabinet of Earths by Anne Nesbet.
The Best of Knitscene by Lisa Shroyer.
Etiquette & Espionage. Finishing School Book the First. by Gail Carriger.
Scarlet by Marissa Meyer. Lunar Chronicles Book 2.
OH, NO, Little Dragon! by Jim Averbeck.
Pete the Cat: Rocking in My School Shoes by Eric Litwin. Art by James Dean.
Not Last Night But the Night Before by Colin McNaughton. Illustrated by Emma Chichester Clark.
There are cats in this book. By Viviane Schwarz.
There are no cats in this book. By Viviane Schwarz. More interactive fun, this time with cats trying to get out of their book.
Meridian. Volumes 1-4 by Barbara Kesel. Pencils by Joshua Middleton and Steve McNiven.
The world of Demetria is beautiful, with large city-islands floating over the surface. People travel from one island to the next via large sailboats – two details that could (and have been) described in text, but are just lovely to see drawn out. The pictures, done by Joshua Middleton in the first volume and Steve McNiven in subsequent volumes, are just beautiful, with flowing lines and glossy, blended full color. I love that Sephie, while admittedly well-endowed for a teen, is neither unrealistically so nor given to wearing deliberately skimpy clothing. (There is some wearing of skimpy clothing by other people, but their characters justify it.) This is a graphic novel somewhat heavier on the text than many. My son was so fascinated by it as I was reading it to myself that I found myself wishing that Sephie’s narration, a constant through the book, had been written in plain type rather than the scrolly, cursive writing they used, and which I think would give him difficulty. He has really enjoyed what we’ve read to him, however. As soon as I take it back to the library, I’ll suggest that we move it to youth. This series was originally published by Crossgen, which my brief research tells me was a short-lived publishing house that specifically aimed to make stories that would be appealing across multiple age ranges. So far, that seems to be the case, but I’ve found that kids are more open to reading books they haven’t heard about before. I’m hoping that moving this sweet fantasy adventure series one more time will help it find the audience it so richly deserves.
Touch of Steel by Kate Cross.
Moonlight and Mechanicals by Cindy Spencer Pape.


