The Elves and the Shoemaker

The Elves and the Shoemaker by John Cech. Illustrated by Kirill Chelushkin “A long, long time ago, when shoes were still made by shoemakers and not by machines in factories, a shoemaker and his wife found themselves in very hard times.” So begins this new retelling of a classic fairy tale. The shoemaker cuts out his last pair of shoes before going to bed, but when he wakes up in the morning, they are beautifully put together. They sell for enough money to buy double the amount of leather, and thus turn around his fortunes. Finally, he and his wife decide to investigate, and find that a pair of elves in worn-out clothing are responsible. The language is good, but the pictures are what really stand out. They are ink and watercolor illustrations, in a palette of mostly browns and black with the occasional bits of red or orange. Chelushkin plays with the perspective, so that a plane can be a table on top and a house or a hat underneath, while little elves of all shapes crowd the edges of the pictures. They are more eerie than usual for fairy tales, but very fun to find everything going on.

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Sorcery and Cecilia and The Grand Tour

Rereading Wrede’s Enchanted Forest Chronicles reminded me that she had a couple of new and unrelated books come out which I’d not yet gotten around to reading. Here they are.

Sorcery and Cecilia, Or, The Enchanted Chocolate Pot by Patricia Wrede and Caroline Stevermer
The Grand Tour by Patricia Wrede and Caroline Stevermer
Both of these books are set in just post-Napoleonic War England (at least, the characters are English.) Our little tagline might be something like “Jane Austen’s World Meets the Society of Wizards with Nail-Biting Yet Hilarious Consequences.” Both novels were written as actual letters sent from one author to the other. Sorcery and Cecilia consists of letters between two cousins used to carrying on adventures together. Cecy, at home in the country, begs for news of the city from her cousin Kate, who is coming out and having her first London Season. Kate starts out bored and awkward, until a witch mistakes her for a rival wizard and tries to poison her (using the enchanted chocolate pot of the title.) Her hairpins still won’t stay in, but now she needs to find the other wizard to warn him. Meanwhile, someone keeps spying, very badly, on the social events that Cecy is attending. Should she report him or give him tips? The girls might be in over their heads, but at least they’re having a fabulous time.

In The Grand Tour, Cecy and Kate are both newly married and off on a joint Grand Tour of Europe for their honeymoon (it helps that their husband are best friends as well.) Cecy’s contributions come from a supposed deposition after the adventures, while Kate is writing in her commonplace book. They have not even made it to Paris before intrigue finds them. A strange woman finds Cecy alone in the hotel and gives her a mysterious flask to give to the older Lady Schofield (Kate’s mother-in-law, joining them as far as Paris.) No sooner have they found what it is than it is stolen. As they explore the mystery, they find that other historical items are being stolen around the continent. Could someone be trying to imitate Napolean’s ambitions? The Duke of Wellington asks them to investigate secretly. As before, the writing is snappy in a nice period-ish way, the fashion impeccable and the characters intrepid.

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The Heroines

The Heroines by Eileen Favorite It’s the early 1970s. Thirteen-year-old Penny Entwhistle lives with her mother in a little B&B on the Illinois prairie. Along with some regular customers, this B&B is visited by the heroines of literature, who come at the most stressful points of their stories. Penny has clear memories of Blanche DuBois and Scarlett O’Hara (who tried to steal their silver). Now, though, Penny is really sick of all the attention her mother gives them – particularly the weepy Deirdre, who’s currently taken over Penny’s own room. Penny snaps. She meets the mysterious Conor in the woods, a Celtic king who claims that Deirdre is his runaway wife and wants her back. When the police get involved, Penny tells them the truth, with predictable results. She meant to hurt her mother – but suddenly, Penny is the heroine in her own story, and things are not going well. This is light and amusing fiction for fans of the classic heroines.

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V for Vendetta

I admit, I haven’t read the book. I should do that. It was really weird watching the extras, where they talked about the book without mentioning Alan Moore at all. Also, I’m feeling pretty certain that everyone here has already seen this movie. But here goes, anyway.

V for Vendetta In a dark near-future world, Britain has been taken over by a fascist government, while the United States has dissolved into chaos. Evey (Natalie Portman) is a young news employee, out past curfew and rescued from thugs by a mysterious man in a black cloak and a Guy Fawkes mask (Hugo Weaving). He introduces himself as V and invites her to come with him to see a show. She watches in shock as he blows up a national monument to the accompaniment of the 1812 Overture on the emergency broadcast system. Evey has only been trying to blend in since her parents were killed in the brutal early years of the regime, but somehow she keeps tangling with V and risking capture by the government. The action is tense and the characters compelling. V is both extremely likable and very icky, a terrorist with an easy-to-support goal. The government is both a reflection of the Third Reich and a not-implausible result of a government which uses fear of outside attack to suppress dissent. The performances by Natalie Portman and Hugo Weaving – whose face we never see – were impressive. If you want a side of thinking with your dose of action, this is a great movie.

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Robin McKinley and me

When I was a wee bookworm, just old enough to bike places by myself, I used to bike to my local branch library about daily during the summer. There I would carefully select books from the youth fiction section, and check out just about everything in the fairy tale section. Now, as a librarian, I realize that they must have interfiled adult and juvenile nonfiction. But at the time, all of nonfiction felt like the grown-up section, and oh, did I feel it as I checked out books from there. There, amidst the Rainbow Fairy Books, I found a book called Beauty. It was a full novel-length retelling of the story of Beauty and the Beast. I loved it so much that I checked it out and re-read it every year for the next decade. When I graduated from college, I bought my own hardcover copy with Christmas money (and it’s really difficult to find hardcovers of teen books, especially if they’re not new.) I carried this book with me (and a rotating supply of one paperback) as I traveled around the world with Up with People for a year. I wish my camera was working so I could post a picture of the tattered cover, which I didn’t think to laminate before this ordeal. I still have it and read it whenever I’m feeling ill or beat-up. It was the book I turned to after some particularly icky bits in The Lovely Bones (which I never could finish) kept me up at night.
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Uglies

Uglies by Scott Westerfield. Narrated by Carine Montbertrand. If you pay any attention to teen books, you’ll have heard of this one – it’s been on the bestseller lists and on prominent display in the bookstores for the past couple of years. A few hundred years in our future, cities are small and self-sufficient, powered by renewable energy. In one such city, fifteen-year-old Tally Youngblood is waiting impatiently to turn sixteen. Then she will undergo cosmetic surgery to become a Pretty and move to New Pretty Town, where the parties last all night long. With just a few days to go, her new-this-summer best friend, Shay, tells Tally that she wants to keep her own face. She wants Tally to run away with her to the Smoke, a tiny settlement of people who have rejected the city. Tally says no – until Special Circumstances tells her she’ll stay Ugly until she brings Shay back. Can a girl who’s relied on a computerized city to tell her where to go her whole life survive traveling through the wilderness alone? And, if she can find the settlement, will she believe what’s she’s been told her whole life about the Operation, or will she listen to the tales of the dark secrets of the city that the founders of the Smoke tell her?

There might not be enough detail of the future world to satisfy a hard-core science fiction geek, but focusing on the people makes for a sci-fi read that’s easy for just about anybody to get into, while the fast-paced action won’t let you go. There’s even a fair amount of depth to the story, which ponders the importance (or not) of physical beauty and the price of peace. Carine Montbertrand did an excellent job with the narration, creating believable teen protagonists as well as a host of other characters, all with good, distinct voices. This kind of book seems to me to work best either on paper or for longer trips – with my short commute to work, it was just frustrating to have to wait so long to find out what happened next. And the story ends quite abruptly, to be taken up in the next two books.

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