This book didn’t end up getting nominated for the Cybils (unless Marvel swoops in to nominate it during the last week of the publisher/author nominating period) but it’s still worth reading about.
Black Panther: the Young Prince by Ronald L. Smith. Marvel, 2018.
In this official Marvel novel, 12-year-old T’Challa and his best friend M’Baku are sent to middle school in Chicago to avoid conflict in Wakanda. T’Challa has a Black Panther suit to be used in case of emergencies (even though he’s not yet the Black Panther) as well as a ring from his father. They’re supposed to be incognito, though rather incongruously, they aren’t set up with aliases or registered for school to start with and have to figure all of that out on their own. T’Challa goes by T. Charles, while M’Baku goes by Mike. Things the boys have a hard time adjusting to: the cold, the easy availability of junk food, the new, big middle school social hierarchy, American racial attitudes, and the lower technology levels.
T’Challa makes two friends to start with, a boy he meets on the bus who’s really into comic books, and a girl who’s a coding whiz. M’Baku, to the surprise of those unfamiliar with the original comics or the movie, makes fun of T’Challa for befriending nerds and instead takes up with bully Gemini Jones and his gang of kids who all wear skull rings. As sinister demon-catching devises start popping up around the school, T’Challa knows he has to investigate – and decide who he can trust.
I really enjoyed Smith’s first book Hoodoo, and this had some similar elements with the dark plot. This book? I wished that the superhero action part had kicked in a little sooner. And I didn’t love T’Challa here as much as I loved irrepressible Hoodoo or the Black Panther movie. But my favorite aspect of the movie was the trio of great women around T’Challa, and his new friend Sheila here was not nearly as well fleshed out. This book is really T’Challa’s story, and I’m guessing lots of superhero fans, especially boys and African-American kids, will appreciate that.
So even though this book felt ok but not great for me personally, I’m really glad that it’s out there and that Marvel is putting effort into telling Black Panther stories for young people and finding a good, #OwnVoices author to do it. Action-oriented middle grade fantasy books starring African-American or African boys are pretty thin on the ground – the only other books that pop into my head right now are Nnedi Okorafor’s Akata Witch and Akata Warrior, where the boys are supporting characters. Please let me know if you can think of any others, as I hope I’m missing some!
The Door to the Lost by Jaleigh Johnson
City of Islands by Kali Wallace. Katherine Tegen/HarperCollins 2018.
Dread Nation: Rise Up by Justina Ireland. Balzer + Bray, 2018.
Tess of the Road by Rachel Hartman. Random House, 2018.
Creature of the Pines. Unicorn Rescue Society #1 by Adam Gidwitz and Hatem Aly. April 2018.
Bell at Sealey Head by Patricia McKillip. Penguin, 2008.
Space Opera by Catherynne M. Valente. Simon and Schuster, 2018.


All Systems Red by Martha Wells. Tor.com, 2017.
In Artificial Condition (avoiding spoilers as much as possible, Murderbot has been traveling around on unoccupied space ships, bribing their intelligent operating systems to let it onboard by sharing its entertainment series. Murderbot has only the vaguest of memories left in its organic parts of the horrible incident where it helped kill thousands of people, since the memories were deliberately wiped from its construct parts. But what would cause it to do such a thing? A particularly annoying system helps Murderbot create a disguise as a normal augmented human so that it can gain access to the planet where the horrible incident takes place. One hitch: Murderbot is forced to take a job as a security consultant to yet another group of too-trusting scientist types.
In Rogue Protocol, Murderbot is on yet another ship, this one with people, trying to investigate the shadowy GrayCris Corporation that seems to be behind so much slaughter. Mixed in with all the plot action of these books has always been the awkwardness of a sentient machine that looks mostly like a human but isn’t quite one. Here, the awkwardness is dialed up to 11 as Murderbot has to befriend a sweet, trusting robot named Miki, who’s treated as a pet by its owners. Miki, of course, has never had to deal with the gruesome situations that Murderbot has been put into, and so has a level of trust with humans that’s never been possible for Murderbot. They’re going to have to find a way to work together, though, to deal with the giant and very hostile combat robots that turn up.

